For about a year, I’ve been slowly developing a pop analysis (Deleuze and Guattari) of the music of Tool, particularly with reference to Nietzsche’s hope for a Dionysian future of music. The good people at Nomos Journal have published a short piece I wrote on that topic (thanks, Seth). You can find it HERE.
1. Music is the art of the hope for resonance: a sense that does not make sense except because of its resounding in itself. Jean-Luc Nancy, Listening (Fordham UP, 2007), p. 67 2. No music has the slightest esthetic worth if it is not socially true, if only as a negation of untruth; no socialContinue reading “Five Theses for Emancipatory Music”
In Ecce Homo, Friedrich Nietzsche declares his “tremendous hope” for “a Dionysian future of music,” in which music would free itself from moralizing and rationalizing tendencies and creatively affirm the boundary-dissolving experiences that accompany states of ecstasy. In the twentieth century, many forms of popular music have contributed to the fulfillment of Nietzsche’s Dionysian hope. Continue reading “Tool, Rock, and the Dionysian Future of Music”