I recently started writing a column on religion and popular music (“Sounding Sacred“) for Nomos Journal, an online journal covering multiple approaches to the study of religion and popular culture. My first piece went up a few days ago. It introduces “two, too loud pops” into religion: 1) the pop expressing the loud, noisy, sonorousContinue reading “Sounding Sacred: Religion and Popular Music”
For about a year, I’ve been slowly developing a pop analysis (Deleuze and Guattari) of the music of Tool, particularly with reference to Nietzsche’s hope for a Dionysian future of music. The good people at Nomos Journal have published a short piece I wrote on that topic (thanks, Seth). You can find it HERE.
In Ecce Homo, Friedrich Nietzsche declares his “tremendous hope” for “a Dionysian future of music,” in which music would free itself from moralizing and rationalizing tendencies and creatively affirm the boundary-dissolving experiences that accompany states of ecstasy. In the twentieth century, many forms of popular music have contributed to the fulfillment of Nietzsche’s Dionysian hope. Continue reading “Tool, Rock, and the Dionysian Future of Music”