Poetics, Practice, and Things

Poetry can compress vast acreages of meaning into a small compass or perform the kind of bold linkages that would take reams of academic argument to plot; it can widen the aperture of our gaze or deposit us on the brink of transformation…
One of the most striking and unsettling aspects of the Anthropocene is the newly poignant sense that our present is in fact accompanied by deep pasts and deep futures. Fundamentally, the Anthropocene describes how humanity has radically intruded in deep times, the vast time scales that shape the Earth system and all the life-forms that it supports.

– David Farrier [Anthropocene Poetics: Deep Time, Sacrifice Zones, and Extinction (University of Minnesota Press, 2019), 5-6]

I’m currently teaching an ecopoetics course, which has given me a good excuse for keeping up with new books like Farrier’s Anthropocene Poetics. In the gap between this post and my previous post, I was preparing for the class, moving north of San Francisco to a house along the Russian River, and doing the usual mixture of teaching, writing, and conferencing. Incidentally, the river is currently flooding due to unusually heavy rains, and a siren is sounding for people living on the river to evacuate. I’m basically in a tree house, high off the ground, about a minute’s walk from the riverbank, so that siren isn’t for me.

This blog might have seemed abandoned. I was just letting it breathe.  I’ve been doing a lot of writing in other venues. I’ve had a few pieces published recently, including an essay comparing Jean-Luc Nancy and Graham Harman on the ontological status of objects, “Touching without Touching: Objects of Post-Deconstructive Realism and Object-Oriented Ontology” [Open Philosophy 1.1 (2018): 290-98]. Another essay focuses on Christian, Daoist, and vegetal sources of Heidegger’s notion of letting beings be: releasement (Gelassenheit), “Without Why: Useless Plants in Christianity and Daoism” [Religions 10.1 (2019): 65-79].I also wrote something about philosophical practice (“Practice is not a Life Hack”) for the up-and-coming media empire, The Side View, run by the exceedingly industrious and brilliant, Adam Robbert. 

A few book reviews have come out as well, including my review of an anthology on nonviolence, Advancing Nonviolence and Social Transformation: New Perspectives on Nonviolent Theories, edited by Heather Eaton and Lauren Michelle Levesque. I also reviewed Jason Wirth’s poetic-philosophical book on Gary Snyder, Zen Buddhism, and ecology, Mountains, Rivers, and the Great Earth: Reading Gary Snyder and Dōgen in an Age of Ecological Crisis.

For the rest of the year, I have a couple more book reviews coming out, as well as a couple of chapters in anthologies (one on Stoicism, the other on climate ethics). I’m editing an anthology on multiple forms of ecological knowledge, with essays on conservation biology, traditional ecological knowledge (TEK) in indigenous communities, psychedelic science, affective and imaginal ways of knowing, storytelling, Asian philosophies, Gaia theory, and more. I’ll share more specifics about that project as it gets further underway. Hopefully it will be out before the end of the year. I’ll also share more while I’m working on my next book, which is a short monograph about theology and new materialism.

New materialism seems pretty old by now, since it’s been over twenty years since people first started using that term. It’s basically a shorthand for the contemporary reception of Deleuze’s materialism (Karen Barad’s Derridean/deconstructive tendencies notwithstanding), which is still quite novel compared to the materialisms that run from Lucretius to Marx, or whatever people like Donald Davidson or Hilary Putnam were doing. New materialism is theologically rich, bearing in mind that it is sometimes expressed rather implicitly. In terms of transcendental monotheism, it’s entirely atheistic, which opens the door for much more complex and compelling forms of theos, drawing on kabbalah, alchemy, animism, panentheism, pantheism, Zen, magic, mysticism, and much more.



Multifarious Philosophy

I found the cutting-edge of the creative advance of Whitehead studies.  It’s in the new anthology edited by Jeremy Fackenthal and Roland Faber, Theopoetic Folds: Philosophizing Multifariousness (Fordham, 2013).  It takes its cue from Whitehead’s philosophy, particularly on two points.

First: Multiplicity.
“Philosophy may not neglect the multifariousness of the world—the fairies dance, and Christ is nailed to the cross” (Whitehead, Process and Reality, 338).

Second: Poetics.
Theology is most effective and interesting when it is theopoetics, not only in the sense that poetic speech about God is more accurate than prosaic or formulaic speech, but also in the sense that God is “the poet of the world” (ibid., 336).

This is a must-read book for anybody dealing with Whitehead studies.  Even if you aren’t interested in poetics or radical theology, the book contains a lot of other discussions relevant to metaphysics, cosmology, ecology, and the history of philosophy.  My favorite essays in this collection are in the penultimate section, “The Pluriverse,” which focuses on the cosmological/ecological dimension of Whitehead’s theopoetic philosophy, including pieces from Catherine Keller, Luke Higgins, and Roland Faber.

The piece by Faber presents an “eco-theopoetics” that synthesizes Whitehead and Deleuze in a radical affirmation of wild multiplicity after the “ecological death of God.”  Moreover, “wild” does not refer to any identity or opposition of nature or culture, but is about the necessity of our constitutive contingency in the chaosmos.  Nature and humanity are put back in their place (khora), becoming “eco-nature” and “becoming intermezzo.”

Occupy Romanticism

Jeffrey Robinson composed an interesting paper for a conference on poetry and revolution.  Robinson presents his radical view of Romanticism by connecting it to the Occupy movement.  Hence the title, “Occupy Romanticism” (posted on Jerome Rothenberg’s blog).

A Romantic poetics of democracy thus “occupies” the traditional domains of poetry and its sentences.
Just as the Occupy Movement having recently called for the need to “Occupy Language,” demonstrates how quickly its participants are associating the misuse of language by those in power, so earlier generations found the need to question inherited genres, forms, and language in oppressive structures of control.

[…] “to occupy” means: to introduce the new or unfamiliar, to defamiliarize by means of contiguity, what sits next to what, the previously known and often canonical, to develop poet by poet a sense of an ongoing radical Romantic poetics, and to define this Romanticism as one that spreads horizontally across geographies and vertically across decades and so-called historical periods.