I found the cutting-edge of the creative advance of Whitehead studies.  It’s in the new anthology edited by Jeremy Fackenthal and Roland Faber, Theopoetic Folds: Philosophizing Multifariousness (Fordham, 2013).  It takes its cue from Whitehead’s philosophy, particularly on two points.

First: Multiplicity.
“Philosophy may not neglect the multifariousness of the world—the fairies dance, and Christ is nailed to the cross” (Whitehead, Process and Reality, 338).

Second: Poetics.
Theology is most effective and interesting when it is theopoetics, not only in the sense that poetic speech about God is more accurate than prosaic or formulaic speech, but also in the sense that God is “the poet of the world” (ibid., 336).

This is a must-read book for anybody dealing with Whitehead studies.  Even if you aren’t interested in poetics or radical theology, the book contains a lot of other discussions relevant to metaphysics, cosmology, ecology, and the history of philosophy.  My favorite essays in this collection are in the penultimate section, “The Pluriverse,” which focuses on the cosmological/ecological dimension of Whitehead’s theopoetic philosophy, including pieces from Catherine Keller, Luke Higgins, and Roland Faber.

The piece by Faber presents an “eco-theopoetics” that synthesizes Whitehead and Deleuze in a radical affirmation of wild multiplicity after the “ecological death of God.”  Moreover, “wild” does not refer to any identity or opposition of nature or culture, but is about the necessity of our constitutive contingency in the chaosmos.  Nature and humanity are put back in their place (khora), becoming “eco-nature” and “becoming intermezzo.”