For about a year, I’ve been slowly developing a pop analysis (Deleuze and Guattari) of the music of Tool, particularly with reference to Nietzsche’s hope for a Dionysian future of music. The good people at Nomos Journal have published a short piece I wrote on that topic (thanks, Seth). You can find it HERE.
“Normality” in the light of délire, technical logic in the light of Freudian primary processes—a pas de deux towards chaos in the attempt to delineate a subjectivity far from dominant equilibria, to capture its virtual lines of singularity, emergence and renewal—eternal Dionysian return or paradoxical Copernican inversion to be prolonged by an animist revival?Continue reading “An Animist Revival? Madness.”
In Ecce Homo, Friedrich Nietzsche declares his “tremendous hope” for “a Dionysian future of music,” in which music would free itself from moralizing and rationalizing tendencies and creatively affirm the boundary-dissolving experiences that accompany states of ecstasy. In the twentieth century, many forms of popular music have contributed to the fulfillment of Nietzsche’s Dionysian hope. Continue reading “Tool, Rock, and the Dionysian Future of Music”