Sounding Sacred: Religion and Popular Music

I recently started writing a column on religion and popular music (“Sounding Sacred“) for Nomos Journal, an online journal covering multiple approaches to the study of religion and popular culture.  My first piece went up a few days ago.  It introduces “two, too loud pops” into religion: 1) the pop expressing the loud, noisy, sonorous aspects of the sacred and 2) the pop of popular culture.  In short, music and the multitude.  It’s a fun topic, but it’s also extremely important.  Profound encounters with sonority and intimate psychoacoustic relationships are of crucial importance for the ongoing composition of a shared world, a world “belonging to the people” (popularis) (and nonhuman and more-than-human persons are welcome!).

Heidegger said that only a god can save us now, but I don’t think he ever heard rock, hiphop, psytrance, bubblegum, metal, house, acid, country, synthpop, ska, punk….

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